Prince Albert: Patron & Collector – Taste, Influence and Personal Preference

In 19th century England the fact remained that Prince Albert of Saxe-Coburg and Gotha, consort to Queen Victoria, was a ‘foreign’ German prince1. Parliament had been cautious, reigning in Prince Albert’s allowance of Royal privileges, one of which included holding back the title ‘Prince Consort’ and another saw the strings to the royal purse being … Continue reading Prince Albert: Patron & Collector – Taste, Influence and Personal Preference

The Omega Workshops Ltd. – Objects and Interiors

In the introductory article, we went over the principles on which the Omega Workshops Ltd. were founded. I feel that the best way to trace development in the decorative arts is to explore how forming principles were practically applied. To that end, we’re going to use Bloomsbury and Omega styled interiors and objects as a … Continue reading The Omega Workshops Ltd. – Objects and Interiors

Prince Albert: Patron & Collector – Supporting the Efforts of Artists and Innovators

Prince Albert proved himself to be an involved patron using his own expertise to foster artistic talent, his twin pursuits of Northern and Italian painting inclined the prince to encourage living artists. For example, Albert acquired paintings from contemporaries such as William Dobson, William Dyce, Charles Eastlake and Michael Wittmer1, whose work added to the vocabulary … Continue reading Prince Albert: Patron & Collector – Supporting the Efforts of Artists and Innovators